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This collection brings together for the first time literary studies of British colonies in nineteenth-century Australia, New Zealand, South Africa, South America, Southeast Asia, and the South Pacific Islands. Drawing on hemispheric studies, Indigenous studies, and southern theory to decentre British and other European metropoles, the collection offers a groundbreaking challenge to national paradigms and traditional literary periodisations and canons by prioritising southern cultural networks in multiple regional centres from Cape Town to Dunedin. Worlding the South examines the dialectics of literary worldedness in ways that recognise inequalities of power, textual and material violence, and literary and cultural resistance. The collection revises current literary histories of the 'British world' by arguing for the distinctiveness of settler colonialism in the southern hemisphere, and by incorporating Indigenous, diasporic, and south-south perspectives. "This collection brings together for the first time literary studies of British colonies in nineteenth-century Australia, New Zealand, South Africa, South America, Southeast Asia and the South Pacific Islands. Drawing on hemispheric studies, Indigenous studies and southern theory to decentre British and other European metropoles, the collection offers a groundbreaking challenge to national paradigms and traditional literary periodisations and canons by proposing a new literary history of the region that is predicated less on metropolitan turning points and more on southern cultural networks in multiple regional centres from Cape Town to Dunedin. With a focus on south-south interactions, southern audiences and southern modes of addressivity Worlding the South foregrounds marginal, minor and neglected writers and texts across a hemispheric complex of southern oceans and terrains. Adopting an ontological tradition that tests the dominance of networked theories of globalisation, the collection asks how we can better understand the dialectical relationship between the 'real' world in which a literary text or art object exists and the symbolic or conceptual world it shows or creates. By examining the literary processes of worlding, it demonstrates how art objects make legible homogenising imperial and colonial narratives, inequalities of linguistic power, textual and material violence and literary and cultural resistance. With contributions from leading scholars in nineteenth-century literary and cultural studies, the collection revises literary histories of the 'British world' by arguing for the distinctiveness of settler colonialism in the southern hemisphere and by incorporating Indigenous, diasporic and south-south perspectives." -- Back cover.

Literary studies: c 1800 to c 1900 --- Literary studies: post-colonial literature --- Literary studies: fiction, novelists & prose writers --- southern hemisphere; nineteenth-century literature; settler colonialism; Romantic studies; Victorian studies; Indigenous studies; world literature; New Zealand; Australia; South Africa --- Literature --- Colonies in literature --- Books and reading --- Literary Studies: C 1800 To C 1900 --- LITERARY CRITICISM --- Colonialism --- Colonialists --- Modern --- Southern Hemisphere --- Appraisal of books --- Books --- Choice of books --- Evaluation of literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Reading --- Reading interests --- Reading promotion --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Appraisal --- Evaluation --- Hemisphere, Southern --- Earth (Planet) --- Literature, Modern --- Colonies in literature. --- Colonists --- History and criticism. --- History